57-Year-Old Yao Zhengjing Makes Acting Comeback, Reveals Truth About Aaron Kwok Breakup
SingTao · 1 SOURCESabout 1 hour ago5 MIN

Summary
Yao Zhengjing (姚正菁), 57, has made her comeback to Hong Kong's entertainment scene after more than three decades away, signing with New World Entertainment under boss Sam following an encounter with manager Lin Baoyu. In an exclusive interview with Sing Tao Daily, Yao addressed her past relationship with superstar Aaron Kwok (郭富城), dispelling rumors that she cheated on him and clarifying that she did not leave the industry due to heartbreak from their breakup. She also revealed she encountered dismissive treatment from a senior colleague at an industry dinner, highlighting ongoing issues of workplace hierarchy in Hong Kong's entertainment sector.
Key Points
- Yao Zhengjing, now 57, signed with New World Entertainment under Sam哥 and will pursue singing, livestreaming, and short drama projects
- She left the entertainment industry at age 25 to pursue marriage and children, becoming a "missing person" for over 30 years
- Yao clarified her breakup with Aaron Kwok was not caused by his rising fame, nor was she unfaithful—she denies being the one who cheated
- She addressed rumors that she made adult films after the breakup out of emotional distress, calling the claim illogical given the popular trend of such films at the time
- At a recent dinner gathering, a senior artist deliberately turned dishes away from Yao and treated her with visible contempt, prompting her to speak out about industry etiquette
- Yao describes her current mindset as positive, stating she has "pure sincerity" remaining and hopes to develop in singing, livestreaming, and short dramas
Why It Matters
Yao Zhengjing's comeback at 57 challenges ageist attitudes in Hong Kong's entertainment industry, where performers often face pressure to retire at younger ages. Her willingness to publicly correct long-standing misconceptions about her relationship with Aaron Kwok provides closure on a decades-old Hong Kong pop culture mystery, while her candid account of experiencing "white-eye" treatment from senior figures highlights the persistent hierarchical culture within the industry that can marginalize returning artists.
Yao Zhengjing's comeback at 57 challenges ageist attitudes in Hong Kong's entertainment industry, where performers often face pressure to retire at younger ages. Her willingness to publicly correct long-standing misconceptions about her relationship with Aaron Kwok provides closure on a decades-old Hong Kong pop culture mystery, while her candid account of experiencing "white-eye" treatment from senior figures highlights the persistent hierarchical culture within the industry that can marginalize returning artists.