Chen Chiu-hua Mourns Patrick Tse, Recalls His Generous Tips
SingTao · 1 SOURCESabout 1 hour ago5 MIN
Summary
Former Golden Horse Best Actress Chen Chiu-hua (陳秋霞) has publicly mourned screen legend Patrick Tse Yin (謝賢), known affectionately as "Fourth Brother" (四哥), following reports that he passed away in mid-July . In a Facebook post, Chen shared a rare photograph showing herself alongside Tse and his ex-wife Deborah Lee (狄波拉), while revealing little-known details about the veteran actor's private character and their friendship spanning decades .
Key Points
- Chen Chiu-hua, 68, won the Golden Horse Best Actress award for her film "Autumn Chiu" (《秋霞》) and retired from show business after marrying Malaysian tycoon Chung Ting-sen (鍾廷森) in 1981 .
- Chen and Tse never worked together on screen because Tse was already an established superstar when she entered the industry, and her early career focused on Taiwan .
- The pair were introduced through Chung Ting-sen, who was Chen's boyfriend at the time; Chung would lavishly host Tse whenever he performed in Malaysia .
- On one occasion, Chung deemed the organizer's vehicle for Tse "insufficiently dignified" and dispatched his own chauffeur and car for daily transport, even hiring bodyguards during the "King of Gambler" (《千王之王》) craze in 1980 .
- Tse gave Chen's Indian driver Maniam a tip of 200 Malaysian ringgit (approximately HK$384), which Chen noted equaled an ordinary person's monthly salary at that time, causing the driver to excitedly boast to everyone .
Why It Matters
Chen's testimony offers a rare glimpse into the private generosity of Hong Kong cinema's golden-age stars, contrasting sharply with today's celebrity culture where lesser-known performers often travel with entourages of nearly ten assistants for appearances . Her recollection preserves an important oral history of how Hong Kong entertainers conducted themselves with humility despite their fame, a value increasingly cherished as that generation of artists passes from the scene .
Chen's testimony offers a rare glimpse into the private generosity of Hong Kong cinema's golden-age stars, contrasting sharply with today's celebrity culture where lesser-known performers often travel with entourages of nearly ten assistants for appearances . Her recollection preserves an important oral history of how Hong Kong entertainers conducted themselves with humility despite their fame, a value increasingly cherished as that generation of artists passes from the scene .