Veteran Actress Leung Po-chun Recalls Jackie Chan's Tax Advice, Sparks Controversy Over Sit Ka-yin Remarks
AM730 · 3 SOURCESabout 2 hours ago6 MIN
Summary
Veteran Hong Kong actress Leung Po-chun, widely recognized for her iconic role as "Shun Yi" in TVB's long-running sitcom series Hong Kong 81, has become the subject of online discussion after sharing candid stories about her experiences in the entertainment industry. In an interview posted on actress Li Wan-wa's YouTube channel, Leung revealed that international action star Jackie Chan once offered her controversial advice about how to maximize her earnings by underreporting filming days to TVB. The veteran actress, who retired from TVB and now lives in Canada with her daughter while maintaining a home in Hong Kong where her son resides, also shared warm memories of working with established performers including Wong Man-sum and Li Si-ji. However, her remarks about comedian Sit Ka-yin have ignited divided reactions among netizens, with some interpreting her comments as veiled criticism of Sit's personality.
Key Points
- Leung Po-chun, daughter of legendary comedian Leung Hing-bo, gained fame through "Shun Yi" in Hong Kong 81 and later appeared in shows including When Comes Love and In Search of a Lost Heart
- Jackie Chan taught Leung to report only 2 filming days to TVB instead of the actual 5 days to reduce the portion she owed the broadcaster from outside work
- Chan guaranteed he was the "top authority" on filming schedules and offered to personally handle any TVB追究, saying "Ask me, I'll say you only filmed 2 hours"
- Wong Man-sum, despite appearing "very cool" on the surface, warmly invited Leung and actress Rosanne to take photos and insisted she join the actors' guild, citing her father's legacy
- Leung's comment that group photo positions should be reserved "especially for Sit Ka-yin" went viral, with netizens divided on whether it was a joke or veiled criticism
Why It Matters
The revelations offer a rare glimpse into the unwritten rules and informal arrangements that existed between Hong Kong's entertainment industry and major broadcasters like TVB during the 1980s and 1990s. Leung Po-chun's candid assessments of her peers also highlight the complex dynamics among veteran performers, where perceived slights or friendly banter can quickly become public controversies in the age of social media. For Hong Kong audiences who grew up watching these entertainers on their screens, such behind-the-scenes stories reshape their understanding of the industry's interpersonal relationships and working culture.
The revelations offer a rare glimpse into the unwritten rules and informal arrangements that existed between Hong Kong's entertainment industry and major broadcasters like TVB during the 1980s and 1990s. Leung Po-chun's candid assessments of her peers also highlight the complex dynamics among veteran performers, where perceived slights or friendly banter can quickly become public controversies in the age of social media. For Hong Kong audiences who grew up watching these entertainers on their screens, such behind-the-scenes stories reshape their understanding of the industry's interpersonal relationships and working culture.