Veteran Actor Au Kam-tong Thrives in Vancouver, Debuts One-Man Show After 30 Years
SingTao · 1 SOURCESabout 1 hour ago2 MIN

Summary
Hong Kong veteran actor Au Kam-tong (Au) and his wife Man Si-man have found contentment in Vancouver, describing their four-year life there as fulfilling and free of regrets. During an interview on the Irene Lee Channel, the couple shared their experiences settling into Canadian life, including overcoming cultural barriers and rediscovering personal passions. Au revealed he now has time to pursue long-abandoned hobbies and has published five books since relocating. In a major career milestone, Au announced he will debut a one-man show titled Frankenstein 1.0 in September 2025 to commemorate 30 years in entertainment.
Key Points
- Au Kam-tong and Man Si-man moved to Richmond, Vancouver, in 2021 and report complete adaptation with zero discrimination experienced
- The couple hosts gatherings at Hong Kong-style restaurants in Richmond, describing Vancouver as a "love Hong Kong" hub
- Au finally unpacked and displayed model collections he bought over 20 years ago but never opened due to his busy Hong Kong schedule
- Since arriving in Canada, Au has built monster movie scene models from scratch using foam and clay, and completed five published works
- The couple brings Hong Kong theater culture to Vancouver through their troupe Drama Dojo, staging productions like "Men vs Women Battle" and "The Ten Commandments"
Why It Matters
Au's successful integration into Vancouver life reflects a broader trend of Hong Kong entertainment professionals maintaining their artistic careers while embracing new environments. His upcoming 30th-anniversary one-man show, blending horror theater with themes on AI and human hubris, signals how Hong Kong artists continue to evolve creatively while abroad.
Au's successful integration into Vancouver life reflects a broader trend of Hong Kong entertainment professionals maintaining their artistic careers while embracing new environments. His upcoming 30th-anniversary one-man show, blending horror theater with themes on AI and human hubris, signals how Hong Kong artists continue to evolve creatively while abroad.