Carman Kwan Sweeps Nanjing Dance Competition with Triple Medal Haul
SingTao · 1 SOURCESabout 1 hour ago4 MIN
Summary
Carman Kwan Jia-min (關嘉敏), the former member of Hong Kong idol group Bingo, achieved a remarkable "grand slam" at the Nanjing International Oriental Dance Competition, winning first, second, and third place across three categories . The 32-year-old entertainer appeared at the Sonic War 2026 singing competition final event, where she shared details about her unexpected success and the intense preparation required .
Key Points
- Carman competed with two dance pieces across three categories at the Nanjing International Oriental Dance Competition, earning champion, runner-up, and third-place finishes respectively
- She originally planned to film the dating show "Goddess Matchmaking Project" but filming delays left her with just two weeks to rehearse, making preparation extremely challenging
- Her three competition costumes cost a five-digit amount (over HK$10,000), which she jokingly said she would wear as everyday clothing to maximize their use
- Netizens praised her attractive and sensual stage outfits, with Carman responding that revealing costumes might "scare away" potential boyfriends
- Carman is preparing to relaunch her singing career by launching a short video channel featuring music programs with guest friends, with plans for new music if the response is positive
Why It Matters
This competition victory marks a significant milestone in Carman's solo career after Bingo's disbandment, demonstrating her versatility as both a dancer and potential singer . Her ability to balance demanding performance schedules with relationship prospects reflects the broader challenges Hong Kong entertainers face in maintaining personal lives while pursuing professional growth in competitive entertainment markets .
This competition victory marks a significant milestone in Carman's solo career after Bingo's disbandment, demonstrating her versatility as both a dancer and potential singer . Her ability to balance demanding performance schedules with relationship prospects reflects the broader challenges Hong Kong entertainers face in maintaining personal lives while pursuing professional growth in competitive entertainment markets .